FilmsSans SoleilLike this

Films like Sans Soleil.

Sans Soleil (1983) reads as Neutral, slow-burn, measured documentary, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Close-Up (1990) poster
1. Close-Up1990

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Nouba of the Women of Mount Chenoua (1978) poster
2. The Nouba of the Women of Mount Chenoua1978

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Passion (1982) poster
3. Passion1982

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Sicilia! (1999) (1999) poster
4. Sicilia!1999

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Nouvelle Vague (1990) poster
5. Nouvelle Vague1990

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Notebook on Cities and Clothes (1989) poster
6. Notebook on Cities and Clothes1989

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

King of the Children (1987) poster
7. King of the Children1987

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.

Fragments of an Alms-Film (1972) poster
8. Fragments of an Alms-Film1972

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Ulysses' Gaze (1995) poster
9. Ulysses' Gaze1995

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

The Enigma of Kaspar Hauser (1974) poster
10. The Enigma of Kaspar Hauser1974

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Bells from the Deep (1993) poster
11. Bells from the Deep1993

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a airy, open telling.

Zabriskie Point (1970) poster
12. Zabriskie Point1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a airy, open telling.

These are Sans Soleil’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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