Films like Past and Present.

Past and Present (1972) reads as Neutral, steady, measured bourgeois / comedy, inventive in texture. Ambivalent, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

RoGoPaG (1963) poster
1. RoGoPaG1963

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Strongman Ferdinand (1976) poster
2. Strongman Ferdinand1976

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

The Family Game (1983) poster
3. The Family Game1983

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

Sweet Dreams (1981) poster
4. Sweet Dreams1981

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

Band of Outsiders (1964) poster
5. Band of Outsiders1964

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Capriccio all'italiana (1968) poster
6. Capriccio all'italiana1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Buffalo Bill and the Indians (1976) poster
7. Buffalo Bill and the Indians1976

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

Pearls of the Deep (1966) poster
8. Pearls of the Deep1966

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Whistling Cobblestone (1971) poster
9. The Whistling Cobblestone1971

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

The Canterbury Tales (Pasolini) (1972) poster
10. The Canterbury Tales (Pasolini)1972

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Decameron (Pasolini) (1971) poster
11. The Decameron (Pasolini)1971

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Witches (1967) poster
12. The Witches1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Past and Present’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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