FilmsPadre PadroneLike this

Films like Padre Padrone.

Padre Padrone (1977) reads as Sombre, measured, measured drama / italian, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Shadow Line (1976) poster
1. The Shadow Line1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Hour and Turn of Augusto Matraga (1965) poster
2. The Hour and Turn of Augusto Matraga1965

Keeps the bone-dry seriousness and the heightened unreality — one of the nearest reads in the catalogue.

The Charcoal Maker (1972) poster
3. The Charcoal Maker1972

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Part of the Stone (1972) poster
4. Part of the Stone1972

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a pitch-dark outlook.

The Second Awakening of Christa Klages (1978) poster
5. The Second Awakening of Christa Klages1978

Keeps the bone-dry seriousness and the heightened unreality — one of the nearest reads in the catalogue.

Pagputi ng Uwak, Pag-itim ng Tagak (1978) poster
6. Pagputi ng Uwak, Pag-itim ng Tagak1978

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a pitch-dark outlook.

The Dark Night (1989) poster
7. The Dark Night1989

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Weighed but Found Wanting (1974) poster
8. Weighed but Found Wanting1974

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a grounded, familiar shape.

Walking Cinema (1976) poster
9. Walking Cinema1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Speck in the Water (1976) poster
10. Speck in the Water1976

Keeps the bone-dry seriousness and the heightened unreality; trades toward a cold, bleak undertow.

The Elephant Man (1980) poster
11. The Elephant Man1980

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Come, Come, Come Upward (1989) poster
12. Come, Come, Come Upward1989

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Padre Padrone’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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