FilmsO Lucky Man!Like this

Films like O Lucky Man!.

O Lucky Man! (1973) reads as Neutral, steady, measured comedy / drama, surreal in texture. Ambivalent, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Zerograd (1988) poster
1. Zerograd1988

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Milky Way (1969) poster
2. The Milky Way1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Brazil (1985) poster
3. Brazil1985

Keeps the unmistakable directorial hand and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Macunaíma (1969) poster
4. Macunaíma1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a documentary-plain realism.

Hawks and Sparrows (1966) poster
5. Hawks and Sparrows1966

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Phantom of Liberty (1974) poster
6. The Phantom of Liberty1974

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a intimate, personal stakes.

The Very Same Munchhausen (1988) poster
7. The Very Same Munchhausen1988

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a unmistakable directorial hand.

The Canterbury Tales (1972) poster
8. The Canterbury Tales1972

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

WR: Mysteries of the Organism (1971) poster
9. WR: Mysteries of the Organism1971

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

Allegro non troppo (1976) poster
10. Allegro non troppo1976

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Urusei Yatsura 2: Beautiful Dreamer (1984) poster
11. Urusei Yatsura 2: Beautiful Dreamer1984

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a documentary-plain realism.

Hole in the Moon (1964) poster
12. Hole in the Moon1964

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

These are O Lucky Man!’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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