FilmsModern TimesLike this

Films like Modern Times.

Modern Times (1936) reads as Warm, kinetic, gentle comedy / silent, grounded in texture. Redemptive, mid-stakes, tender. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Gold Rush (1925) poster
1. The Gold Rush1925

Keeps the deep human warmth and the unmistakable directorial hand — one of the nearest reads in the catalogue.

City Lights (1931) poster
2. City Lights1931

Keeps the deep human warmth and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Sullivan's Travels (1941) poster
3. Sullivan's Travels1941

Keeps the unmistakable directorial hand and the patient, unhurried pace — one of the nearest reads in the catalogue.

Sazen Tange and the Pot Worth a Million Ryo (1935) poster
4. Sazen Tange and the Pot Worth a Million Ryo1935

Keeps the patient, unhurried pace and the stubborn streak of hope — one of the nearest reads in the catalogue.

The General (1926) poster
5. The General1926

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a relentless forward drive.

Heaven Can Wait (1943) poster
6. Heaven Can Wait1943

Keeps the deep human warmth and the unmistakable directorial hand; trades toward a documentary-plain realism.

The Kid (1921, Chaplin) (1921) poster
7. The Kid (1921, Chaplin)1921

Keeps the deep human warmth and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Jour de fête (1949) (1949) poster
8. Jour de fête1949

Keeps the deep human warmth and the unmistakable directorial hand; trades toward a warm emotional register.

Sherlock Jr. (1924) poster
9. Sherlock Jr.1924

Keeps the deep human warmth and the unmistakable directorial hand; trades toward a relentless forward drive.

The Kid (1921) poster
10. The Kid1921

Keeps the deep human warmth and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Steamboat Bill, Jr. (1928) poster
11. Steamboat Bill, Jr.1928

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a relentless forward drive.

The Smiling Lieutenant (1931) poster
12. The Smiling Lieutenant1931

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a patient, unhurried pace.

These are Modern Times’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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