Films like Minnie and Moskowitz.

Minnie and Moskowitz (1971) reads as Neutral, steady, measured comedy / drama, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Jonah Who Will Be 25 in the Year 2000 (1976) poster
1. Jonah Who Will Be 25 in the Year 20001976

Keeps the unmistakable directorial hand and the cold, bleak undertow — one of the nearest reads in the catalogue.

Bye Bye Brasil (1979) poster
2. Bye Bye Brasil1979

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Manhattan (1979) poster
3. Manhattan1979

Keeps the unmistakable directorial hand and the cold, bleak undertow — one of the nearest reads in the catalogue.

A Swedish Love Story (1970) poster
4. A Swedish Love Story1970

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

There Lived a Singing Blackbird (1970) poster
5. There Lived a Singing Blackbird1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a pitch-dark outlook.

Day for Night (1973) poster
6. Day for Night1973

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Once Upon a Time There Was a Singing Blackbird (1970) poster
7. Once Upon a Time There Was a Singing Blackbird1970

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

A Wedding (1978) poster
8. A Wedding1978

Keeps the unmistakable directorial hand and the cold, bleak undertow — one of the nearest reads in the catalogue.

Mandabi (1968) poster
9. Mandabi1968

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

California Split (1974) poster
10. California Split1974

Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.

The Fortune Cookie (1966) (1966) poster
11. The Fortune Cookie1966

Keeps the unmistakable directorial hand and the cold, bleak undertow — one of the nearest reads in the catalogue.

Loves of a Blonde (1965) poster
12. Loves of a Blonde1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Minnie and Moskowitz’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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