Films like Meshes of the Afternoon.

Meshes of the Afternoon (1943) reads as Heavy, slow-burn, measured drama / fantasy, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Vampyr (1932) poster
1. Vampyr1932

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Secret Formula (1965) poster
2. The Secret Formula1965

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Elegy (1965) poster
3. Elegy1965

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Fall of the House of Usher (1928) poster
4. The Fall of the House of Usher1928

Keeps the bone-dry seriousness and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Orpheus (1950) (1950) poster
5. Orpheus1950

Keeps the bone-dry seriousness and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Limite (1931) poster
6. Limite1931

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.

Dog Star Man (1964) poster
7. Dog Star Man1964

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a white-knuckle intensity.

Ugetsu (1953) poster
8. Ugetsu1953

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

Eika Katappa (1969) poster
9. Eika Katappa1969

Keeps the strange, dreamlike logic and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Carnival of Souls (1962) poster
10. Carnival of Souls1962

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Last Year at Marienbad (1961) poster
11. Last Year at Marienbad1961

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a heightened unreality.

The Color of Pomegranates (1969) poster
12. The Color of Pomegranates1969

Keeps the bone-dry seriousness and the strange, dreamlike logic; trades toward a cold, bleak undertow.

These are Meshes of the Afternoon’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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