Films like Marina Abramović: The Artist Is Present.

Marina Abramović: The Artist Is Present (2012) reads as Neutral, measured, gentle documentary, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Edge of the Empire (2010) poster
1. The Edge of the Empire2010

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Experimenter (2015) poster
2. Experimenter2015

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

The Devil and Daniel Johnston (2006) poster
3. The Devil and Daniel Johnston2006

Keeps the heightened unreality and the bone-dry seriousness; trades toward a patient, unhurried pace.

Vogelfrei (2007) poster
4. Vogelfrei2007

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Ostende (2011) poster
5. Ostende2011

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a unmistakable directorial hand.

The Tale of King Crab (2021) poster
6. The Tale of King Crab2021

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a unmistakable directorial hand.

Aloft (2014) poster
7. Aloft2014

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Pendular (2017) poster
8. Pendular2017

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a unmistakable directorial hand.

Hi-So (2010) poster
9. Hi-So2010

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.

Ploy (2007) poster
10. Ploy2007

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.

The Scapegoat (2012) poster
11. The Scapegoat2012

Keeps the cold, bleak undertow and the heightened unreality; trades toward a grounded, familiar shape.

The Man Who Laughs (2012) poster
12. The Man Who Laughs2012

Keeps the bone-dry seriousness and the intimate, personal stakes; trades toward a heightened unreality.

These are Marina Abramović: The Artist Is Present’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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