FilmsL'Âge d'OrLike this

Films like L'Âge d'Or.

L'Âge d'Or (1930) reads as Sombre, kinetic, measured surreal / comedy, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Blood of a Poet (1932) poster
1. The Blood of a Poet1932

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a bone-dry seriousness.

The Mascot (1933) poster
2. The Mascot1933

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a stubborn streak of hope.

Un Chien Andalou (1929) poster
3. Un Chien Andalou1929

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Tales of Hoffmann (1951) (1951) poster
4. The Tales of Hoffmann1951

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Witchcraft Through the Ages (1922) poster
5. Witchcraft Through the Ages1922

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Waxworks (1924) poster
6. Waxworks1924

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Testament of Orpheus (1960) poster
7. Testament of Orpheus1960

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Happiness (1935) poster
8. Happiness1935

Keeps the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Bride of Frankenstein (1935) poster
9. The Bride of Frankenstein1935

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

The Golem: How He Came into the World (1920) poster
10. The Golem: How He Came into the World1920

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Tower of the Seven Hunchbacks (1944) poster
11. The Tower of the Seven Hunchbacks1944

Keeps the documentary-plain realism; trades toward a cold, bleak undertow.

Zvenigora (1928) poster
12. Zvenigora1928

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a bone-dry seriousness.

These are L'Âge d'Or’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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