Films like Labyrinth of Passion.

Labyrinth of Passion (1982) reads as Warm, breathless, gentle comedy / spanish, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

High Anxiety (1977) (1977) poster
1. High Anxiety1977

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

History of the World, Part I (1981) poster
2. History of the World, Part I1981

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a warm emotional register.

Women on the Verge of a Nervous Breakdown (1988) poster
3. Women on the Verge of a Nervous Breakdown1988

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Flirting with Disaster (1996) poster
4. Flirting with Disaster1996

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Pepi, Luci, Bom (1980) poster
5. Pepi, Luci, Bom1980

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

What Have I Done to Deserve This? (1984) poster
6. What Have I Done to Deserve This?1984

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

HealtH (1980) poster
7. HealtH1980

Keeps the unmistakable directorial hand and the intimate, personal stakes — one of the nearest reads in the catalogue.

Beyond Therapy (1987) poster
8. Beyond Therapy1987

Keeps the intimate, personal stakes and the running vein of humour; trades toward a heightened unreality.

Pushpaka Vimana (1987) poster
9. Pushpaka Vimana1987

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

I Want to Go Home (1989) poster
10. I Want to Go Home1989

Keeps the unmistakable directorial hand and the intimate, personal stakes — one of the nearest reads in the catalogue.

Kingpin (1996) (1996) poster
11. Kingpin1996

Keeps the heightened unreality and the intimate, personal stakes; trades toward a patient, unhurried pace.

Zelig (1983) poster
12. Zelig1983

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a heightened unreality.

These are Labyrinth of Passion’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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