Films like Jesus Christ Superstar.

Jesus Christ Superstar (1973) reads as Neutral, steady, measured drama / musical, inventive in texture. Nihilistic, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Return of the Prodigal Son (1976) poster
1. The Return of the Prodigal Son1976

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Allonsanfan (1974) poster
2. Allonsanfan1974

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Stavisky (1974) poster
3. Stavisky1974

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Bordello (1985) poster
4. Bordello1985

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Requiescant (1967) poster
5. Requiescant1967

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a cold, bleak undertow.

Budapest Tales (1977) poster
6. Budapest Tales1977

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

Let Joy Reign Supreme (1975) poster
7. Let Joy Reign Supreme1975

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Missouri Breaks (1976) poster
8. The Missouri Breaks1976

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a intimate, personal stakes.

Lili Marleen (1981) poster
9. Lili Marleen1981

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a cold, bleak undertow.

Ondanondu Kaladalli (1978) poster
10. Ondanondu Kaladalli1978

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a grounded, familiar shape.

Cabaret (1972) poster
11. Cabaret1972

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a grounded, familiar shape.

The White Bird Marked with Black (1971) poster
12. The White Bird Marked with Black1971

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a cold, bleak undertow.

These are Jesus Christ Superstar’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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