Films like The Woman Who Ran.

The Woman Who Ran (2020) reads as Neutral, slow-burn, gentle drama, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Showing Up (Reichardt) (2022) poster
1. Showing Up (Reichardt)2022

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Showing Up (Reichardt 2022) — re-pass (2022) poster
2. Showing Up (Reichardt 2022) — re-pass2022

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

By the Stream (2024) poster
3. By the Stream2024

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

In Our Day (2023) poster
4. In Our Day2023

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Wonders (2014) (2014) poster
5. The Wonders2014

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Janet Planet (2024) poster
6. Janet Planet2024

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Postman's White Nights (2014) poster
7. The Postman's White Nights2014

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Introduction (2021) poster
8. Introduction2021

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Grass (2018) poster
9. Grass2018

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Hotel by the River (2018) poster
10. Hotel by the River2018

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Wheel of Fortune and Fantasy (2021) poster
11. Wheel of Fortune and Fantasy2021

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

On the Beach at Night Alone (2017) poster
12. On the Beach at Night Alone2017

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are The Woman Who Ran’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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