Films like I Am Curious (Blue).

I Am Curious (Blue) (1968) reads as Neutral, steady, measured drama / experimental, inventive in texture. Ambivalent, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

I Am Curious (Yellow) (1967) poster
1. I Am Curious (Yellow)1967

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

An Actor's Revenge (1963) poster
2. An Actor's Revenge1963

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

La Chinoise (1967) poster
3. La Chinoise1967

Keeps the cold, bleak undertow and the heightened unreality; trades toward a unmistakable directorial hand.

Tout Va Bien (1972) poster
4. Tout Va Bien1972

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a unmistakable directorial hand.

The Married Woman (1964) poster
5. The Married Woman1964

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

RoGoPaG (1963) poster
6. RoGoPaG1963

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a running vein of humour.

The Missouri Breaks (1976) poster
7. The Missouri Breaks1976

Keeps the heightened unreality and the bone-dry seriousness; trades toward a patient, unhurried pace.

Les Bicots-nègres, vos voisins (1974) poster
8. Les Bicots-nègres, vos voisins1974

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Salto (1965) poster
9. Salto1965

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a heightened unreality.

Concerto for an Exile (1968) poster
10. Concerto for an Exile1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Part-Time Work of a Domestic Slave (1973) poster
11. The Part-Time Work of a Domestic Slave1973

Keeps the heightened unreality and the bone-dry seriousness; trades toward a patient, unhurried pace.

Masculin Féminin (1966) poster
12. Masculin Féminin1966

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

These are I Am Curious (Blue)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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