FilmsHigh ArtLike this

Films like High Art.

High Art (1998) reads as Sombre, measured, measured drama / romance, grounded in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Xiao Wu (1997) poster
1. Xiao Wu1997

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Foreign Land (1996) poster
2. Foreign Land1996

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

My Summer of Love (2004) poster
3. My Summer of Love2004

Keeps the heightened unreality and the bone-dry seriousness — one of the nearest reads in the catalogue.

Anantha Rathriya (1996) poster
4. Anantha Rathriya1996

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Monsieur Hire (1989) poster
5. Monsieur Hire1989

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The State I Am In (2000) poster
6. The State I Am In2000

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

We Need theDead1989
7. We Need the Dead1989

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Terrorist (Sri Lanka) (1998) poster
8. The Terrorist (Sri Lanka)1998

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

The House of Mirth (2000) poster
9. The House of Mirth2000

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Third Page (1999) poster
10. The Third Page1999

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Innocence (1997) poster
11. Innocence1997

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Merci pour le chocolat (2000) poster
12. Merci pour le chocolat2000

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

These are High Art’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →