Films like Harold and Maude.

Harold and Maude (1971) reads as Warm, steady, gentle comedy / romance, inventive in texture. Redemptive, intimate, tender. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Tampopo(re-pass 2)1985
1. Tampopo (re-pass 2)1985

Keeps the patient, unhurried pace and the stubborn streak of hope; trades toward a warm emotional register.

Amarcord (1973) poster
2. Amarcord1973

Keeps the unmistakable directorial hand and the deep human warmth; trades toward a stubborn streak of hope.

The Young Girls of Rochefort (1967) poster
3. The Young Girls of Rochefort1967

Keeps the stubborn streak of hope and the unmistakable directorial hand; trades toward a warm emotional register.

The Umbrella (1967) poster
4. The Umbrella1967

Keeps the unmistakable directorial hand and the deep human warmth; trades toward a stubborn streak of hope.

Playtime (1967) poster
5. Playtime1967

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

True Stories (1986) poster
6. True Stories1986

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a deep human warmth.

Tampopo (1985) poster
7. Tampopo1985

Keeps the patient, unhurried pace and the stubborn streak of hope; trades toward a grounded, familiar shape.

Cry-Baby (1990) poster
8. Cry-Baby1990

Keeps the stubborn streak of hope and the intimate, personal stakes; trades toward a patient, unhurried pace.

Help! (1965) (1965) poster
9. Help!1965

Keeps the stubborn streak of hope and the unmistakable directorial hand; trades toward a relentless forward drive.

Mon Oncle (1958) poster
10. Mon Oncle1958

Keeps the stubborn streak of hope and the unmistakable directorial hand; trades toward a warm emotional register.

Mon Oncle (re-pass) (1958) poster
11. Mon Oncle (re-pass)1958

Keeps the stubborn streak of hope and the unmistakable directorial hand; trades toward a warm emotional register.

A Woman Is a Woman (1961) poster
12. A Woman Is a Woman1961

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

These are Harold and Maude’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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