FilmsAll That JazzLike this

Films like All That Jazz.

All That Jazz (1979) reads as Sombre, kinetic, measured drama / musical, inventive in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Wedding (1973) poster
1. The Wedding1973

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a documentary-plain realism.

Orchestra Rehearsal (1978) poster
2. Orchestra Rehearsal1978

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a cold, bleak undertow.

Matador (1986) poster
3. Matador1986

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Time of the Gypsies (1988) poster
4. Time of the Gypsies1988

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

Seven Beauties (1975) poster
5. Seven Beauties1975

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Third Generation (1979) poster
6. The Third Generation1979

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a grounded, familiar shape.

Les Bicots-nègres, vos voisins (1974) poster
7. Les Bicots-nègres, vos voisins1974

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Red Light Bandit (1968) poster
8. The Red Light Bandit1968

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Cars That Ate Paris (1974) poster
9. The Cars That Ate Paris1974

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a cold, bleak undertow.

Death by Hanging (1968) poster
10. Death by Hanging1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Les Carabiniers (1963) poster
11. Les Carabiniers1963

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Hands Up! (1981) poster
12. Hands Up!1981

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are All That Jazz’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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