FilmsAfter HoursLike this

Films like After Hours.

After Hours (1985) reads as Sombre, kinetic, measured comedy / drama, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Marathon Family (1982) poster
1. The Marathon Family1982

Keeps the unmistakable directorial hand and the pitch-dark outlook — one of the nearest reads in the catalogue.

Palombella Rossa (1989) poster
2. Palombella Rossa1989

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Bianca (1984) poster
3. Bianca1984

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Jamón Jamón (1992) poster
4. Jamón Jamón1992

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Sweet Dreams (1981) poster
5. Sweet Dreams1981

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Buffalo Bill and the Indians (1976) poster
6. Buffalo Bill and the Indians1976

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Dark Habits (1983) poster
7. Dark Habits1983

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Satan's Brew (1976) poster
8. Satan's Brew1976

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Family Game (1983) poster
9. The Family Game1983

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Orchestra Rehearsal (1978) poster
10. Orchestra Rehearsal1978

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a bone-dry seriousness.

The Beggar's Opera (1991) poster
11. The Beggar's Opera1991

Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.

The Dress (1996) poster
12. The Dress1996

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are After Hours’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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