FilmsA Man VanishesLike this

Films like A Man Vanishes.

A Man Vanishes (1967) reads as Sombre, measured, gentle documentary / drama, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Muriel (1963) poster
1. Muriel1963

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Two or Three Things I Know About Her (1967) poster
2. Two or Three Things I Know About Her1967

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Symbiopsychotaxiplasm: Take One (1968) poster
3. Symbiopsychotaxiplasm: Take One1968

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Draughtsman's Contract (1982) poster
4. The Draughtsman's Contract1982

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Yesterday Girl (1966) poster
5. Yesterday Girl1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Blow-Up (1966) poster
6. Blow-Up1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Married Woman (1964) poster
7. The Married Woman1964

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

Vivre Sa Vie (1962) poster
8. Vivre Sa Vie1962

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

La Chinoise (1967) poster
9. La Chinoise1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Identification Marks: None (1965) poster
10. Identification Marks: None1965

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a airy, open telling.

My Life to Live (1962) poster
11. My Life to Live1962

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Every Man for Himself (1980) poster
12. Every Man for Himself1980

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a white-knuckle intensity.

These are A Man Vanishes’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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