Lara Croft: Tomb Raider
- kinetic
- intense
- inventive
- epic-stakes
Neutral, breathless, extreme adventure / action, inventive in texture. Redemptive, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Orphaned heiress, English aristocrat and intrepid archaeologist, Lara Croft, embarks on a dangerous quest to retrieve the two halves of an ancient artifact which controls time before it falls into the wrong hands. As an extremely rare planetary alignment is about to occur for the first time in 5,000 years, the fearless tomb raider will have to team up with rival adventurers and sworn enemies to collect the pieces, while time is running out. But, in the end, who can harness the archaic talisman's unlimited power?
Our read · Lara Croft: Tomb Raider (2001) reads as a neutral, breathless, inventive adventure · action · fantasy entry — extreme in intensity, epic-stakes in scope, measured in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Lara Croft
What watching it is actually like.
“You want turn-of-century puzzle tombs and Jolie owning the gun holsters.”
Skip it tonight — Video-game plot logic and early CGI age badly for you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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