King of Boys
- heavy
- extreme
- bleak
Heavy, steady, extreme crime / drama, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →The story of Alhaja Eniola Salami, a businesswoman and philanthropist with a checkered past and a promising political future. As her political ambitions see her outgrowing the underworld connections responsible for her considerable wealth, she's drawn into a power struggle that threatens everything she holds dear.
Our read · King of Boys (2018) reads as a heavy, steady, grounded crime · drama · thriller entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of King of Boys
What watching it is actually like.
“You want an ambitious Nigerian crime epic about power, loyalty and a woman's ruthless rise.”
Skip it tonight — You want a short watch or are sensitive to on-screen violence and moral grayness.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself