Killer Sofa
- brisk
- intense
- surreal
- cold
- funny
Neutral, breathless, measured comedy / horror, surreal in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Francesca has always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile, the reclining chair becomes obsessed with Francesca and begins to commit crimes of passion.
Our read · Killer Sofa (2019) reads as a neutral, breathless, surreal comedy · horror entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Killer Sofa
What watching it is actually like.
“You want a silly low-budget NZ horror comedy about a killer possessed recliner.”
Skip it tonight — You expect polished scares or serious horror without camp.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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