Intentions of Murder
- heavy
- intense
Heavy, steady, extreme drama, inventive in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.
Our read · Intentions of Murder (1964) reads as a heavy, steady, inventive drama entry — extreme in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Intentions of Murder
What watching it is actually like.
“You want raw Japanese New Wave drama of a neglected wife's violation and complicated desire.”
Skip it tonight — You want polished plots or cannot handle rape and suicide themes.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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