In the Name of the Father
- sombre
- intense
Sombre, steady, measured drama / biography, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A small-time Belfast thief, Gerry Conlon, is wrongly convicted of an IRA bombing in London, along with his father and friends, and spends 15 years in prison fighting to prove his innocence.
Our read · In the Name of the Father (1993) reads as a sombre, steady, grounded drama · biography · irish entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in Latvia · via JustWatch
More info & search links
The shape of In the Name of the Father
What watching it is actually like.
“You want righteous anger at injustice with Day-Lewis and Postlethwaite devastating you.”
Skip it tonight — You need something lighter—this is prison injustice and family grief done raw.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself