How to Make a Killing
- sombre
- brisk
- intense
- twisty
Sombre, kinetic, measured comedy / thriller, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Michel and Cathy, wed for longer than they can remember, lead a quiet but monotonous life in the mountains. When a bear bursts out in front of Michel’s car, accidentally killing two drug dealers and revealing a €2 million loot in the process, their life takes an unpredictable turn, especially when they decide to cover up the incident and keep the money! But their plan leads them to stumble upon an unexplained trail of dead bodies. More used to being honest than crooked, Michel and Cathy’s clumsy cover-up efforts soon put an interfering inspector hot on their trail.
Our read · How to Make a Killing (2025) reads as a sombre, kinetic, grounded comedy · thriller · crime entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of How to Make a Killing
What watching it is actually like.
“You want a French dark comedy about a couple pulled into crime and cover-ups.”
Skip it tonight — Skip if strong violence or black comedy about bodies will sour the night.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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