Home (2008) poster
2008 · drama

Home

Directed by Mary Haverstick1h 24m2008
ElsewhereIMDb5.3209RT93%TMDB5.418
  • sombre
  • measured
  • intense
Movie DNA

Sombre, measured, measured drama, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.

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Inga is a mother with the soul of a poet at a crossroads. Her estranged husband Hermann is bereft of emotional support for her in the wake of her recovery from breast cancer, let alone her passion for buying and restoring and house that reminds her of her childhood home. She shares a close bond with her eight-year-old daughter, and though she is troubled by her decaying marriage, she retains a strong spirit of optimism, as expressed in her own writing.

Our read · Home (2008) reads as a sombre, measured, inventive drama entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Home

Tonight, this looks like

What watching it is actually like.

You want an intimate portrait of marriage strain after breast-cancer recovery.

ends bittersweetit stays with youa slow buildgrips by minute 15attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around

Skip it tonightSkip if illness and marital distance will hit too close tonight.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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