Hazard
- sombre
- brisk
- intense
Sombre, breathless, measured crime / youth, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Shin is a Japanese university student living a boring and meaningless life. One day, he spots a book titled Dangerous Ways to Walk the World, in which he finds a page written about hazards in New-York. Eager to get out, he jets off to New-York to find this inspiration.
Our read · Hazard (2005) reads as a sombre, breathless, inventive crime · youth · drama entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Hazard
What watching it is actually like.
“You want a wild gritty adventure of a bored guy seeking danger in New York.”
Skip it tonight — You dislike chaotic crime stories or ambiguous morals.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself