Goon: Last of the Enforcers
- warm
- brisk
- funny
Warm, kinetic, measured comedy, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →During a pro lockout, Doug "The Thug" Glatt is injured and must choose whether to defend his team against a dangerous new enemy, or be there for his wife as she prepares to give birth to his daughter.
Our read · Goon: Last of the Enforcers (2017) reads as a warm, kinetic, grounded comedy entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Goon
What watching it is actually like.
“You want rude hockey comedy with bloody scraps and dopey loyal Doug Glatt.”
Skip it tonight — You want the sharper original Goon; this sequel's sillier and meaner fights.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself