Gone in the Night
- sombre
- cold
Sombre, steady, measured mystery / thriller, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. They decide to share the cabin with these strangers until the next morning, but her boyfriend disappears with the young woman, which sends Kath in a spiral to find an explanation for their sudden breakup — but the truth is far stranger than she could have imagined.
Our read · Gone in the Night (2022) reads as a sombre, steady, inventive mystery · thriller entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Gone in the Night
What watching it is actually like.
“You want a cabin-rental twist thriller about aging, desire, and dark appetite.”
Skip it tonight — Skip if body-horror-adjacent gore and cruel reversals will sour the night.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself