Funny Money
- warm
- kinetic
- gentle
- funny
Warm, breathless, gentle comedy / crime, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Henry Perkins, a mild-mannered accountant, accidentally trades briefcases with another man, to find out that there's a million dollars inside. Henry tells his unsuspecting wife of their new-found fortune, but she doesn't embrace it as well as he does. Soon they're joined by their best friends, a cop on the take, a cop on the hunt, and the dreaded Mr. Big, who has come to claim his money.
Our read · Funny Money (2006) reads as a warm, breathless, grounded comedy · crime entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Funny Money
What watching it is actually like.
“You want a silly 2000s cash mixup crime farce with Chevy Chase.”
Skip it tonight — You expect clever writing or hate dated slapstick crime comedies.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself