Father, Son and Holy Torum
- measured
Neutral, measured, measured documentary / latvian, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Father, Son and Holy Torum, by Estonian director Mark Soosaar, recounts a particularly ghastly episode in the history of the "new Russia." The film examines the fate of the Khanty people in western Siberia who have been more or less swindled out of their ancestral lands by Russian oil and gas companies.
Our read · Father, Son and Holy Torum (2008) reads as a neutral, measured, inventive documentary · latvian entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Father, Son and Holy Torum
What watching it is actually like.
“You want an Estonian documentary on Khanty people exploited by Siberian oil firms.”
Skip it tonight — Skip if docs on indigenous land loss and corporate greed feel depressing.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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