
Faces (1968)
- heavy
- measured
- intense
- bleak
- signature
- intimate
Heavy, measured, measured drama, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Small Faces: All Or Nothing 1965-1968 features 27 complete performances filmed from 1965 to 1968 when the band was challenging the The Who, The Kinks, The Rolling Stones, and The Beatles for domination of the charts. This documentary captures every aspect of their short but brilliant career including early Mod/R&B classics such as “What’cha Gonna Do About It”, “Sha La La La Lee” and “All Or Nothing”, timeless rockers like “Tin Soldier” and later psychedelic masterpieces including “Itchycoo Park”, and “Green Circles.” In between the performances, original members Ian McLagan, Kenny Jones, and Jimmy Winston talk about the songs and tell the band’s history in new interviews filmed exclusively for the documentary. Also interwoven into the story are archival interviews with Steve Marriott and Ronnie Lane.
Our read · Faces (1968) (1968) reads as a heavy, measured, grounded drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Faces
What watching it is actually like.
“You want raw improvised performances exposing a crumbling marriage.”
Skip it tonight — You prefer polished scripts or hopeful relationships.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself





