Everyone Wants It
- warm
- brisk
- gentle
- intimate
Cosy, kinetic, gentle comedy, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Giovanna, Carla, Francesca, Chiara. What these women have in common so different from each other? Which will never be the not insignificant detail that makes their lives secretly imperfect? And what mystery female is so intimate and private, that more private you can not? Whatever it is, all they want. A food designer, her first love and one sciampista for dogs are the stars of this comedy merrily shameless telling women what no one had ever dared to tell.
Our read · Everyone Wants It (2015) reads as a cosy, kinetic, grounded comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Everyone Wants It
What watching it is actually like.
“You want a light Italian ensemble comedy about women's secret desires.”
Skip it tonight — Skip if you want English language or deep character drama tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself