EVA
- measured
Neutral, measured, gentle sci-fi / drama, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In 2041, humans live side-by-side with robots and androids. A well-known cybernetic engineer, Alex Garel, returns to his hometown to create a new model of robot child.
Our read · EVA (2011) reads as a neutral, measured, inventive sci-fi · drama · robot entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of EVA
What watching it is actually like.
“You want tender sci-fi about a father-engineer and a curious childlike robot.”
Skip it tonight — Skip if quiet android dramas feel too slow after dinner.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself