End of Days
- heavy
- kinetic
- extreme
- inventive
- cold
Heavy, breathless, extreme action / horror, inventive in texture. Ambivalent, epic, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Cynical bodyguard Jericho is hired by a man possessed by Satan, who is in search of his bride. When Jericho realizes what is happening, he must do everything he can to save the woman and the world.
Our read · End of Days (1999) reads as a heavy, breathless, inventive action · horror · fantasy entry — extreme in intensity, epic-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of End of Days
What watching it is actually like.
“You want late-nineties Arnold punching apocalypse demons in rain.”
Skip it tonight — Satanic horror sleaze and religious dread are not your midnight snack.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself