Dukun (2018) poster
2018 · horror · thriller · true-crime

Dukun

Directed by Dain Said1h 48m2018
ElsewhereIMDb6.6505TMDB7.28
  • heavy
  • extreme
Movie DNA

Heavy, steady, extreme horror / thriller, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

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In a case that had the nation riveted and human rights organizations the world over up in arms due to a death sentence handed out to the accused, comes a tale about the lure of riches, power, eternal youth, beauty and the blood one must spill to achieve this.

Our read · Dukun (2018) reads as a heavy, steady, inventive horror · thriller · true-crime entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Dukun

Tonight, this looks like

What watching it is actually like.

You want a Malaysian true-crime horror about black magic and ruthless ambition.

ends unsettlingit leaves you shakena rollercoastergrips by minute 7attention 3/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegore

Skip it tonightSkip if ritual murder, gore or real-case exploitation will haunt you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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