Double Jeopardy
- heavy
- brisk
- extreme
- bleak
- twisty
Heavy, kinetic, extreme thriller / crime, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Libby Parsons, wrongly convicted of her husband Nick's murder, thinks he is still alive. She survives the long years in prison with two burning desires sustaining her -- finding her son and solving the mystery that destroyed her once-happy life. Standing between her and her quest, however, is her parole officer, Travis Lehman. Libby poses a challenge to the cynical officer, one that forces him to face up to his own failings while pitting him against his superior and law enforcement colleagues, as she plunges into a desperate fight for justice, survival, and revenge.
Our read · Double Jeopardy (1999) reads as a heavy, kinetic, inventive thriller · crime · mystery entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Double Jeopardy
What watching it is actually like.
“You want a slick revenge thriller where the wronged wife finally hunts back.”
Skip it tonight — Plot holes and nineties thriller cheese will pull you out constantly.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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