Dorian Gray (2009) poster
2009 · fantasy · drama · thriller

Dorian Gray

Directed by Oliver Parker1h 52m2009
ElsewhereIMDb6.269kRT43%
  • sombre
  • intense
Movie DNA

Sombre, steady, measured fantasy / drama, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

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Seduced into the decadent world of Lord Henry Wotton, handsome young aristocrat Dorian Gray becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell.

Our read · Dorian Gray (2009) reads as a sombre, steady, inventive fantasy · drama · thriller entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Dorian Gray

Tonight, this looks like

What watching it is actually like.

You want decadent Victorian horror where beauty rots behind closed doors.

ends devastatingit leaves you shakena slow buildgrips by minute 25attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upexplicit sexnuditygraphic violencebody horrorgore

Skip it tonightSexual violence, grotesque imagery, or moody gothic slowness will wreck your night.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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