Days of Wine and Roses (1962)
- heavy
- intense
- bleak
Heavy, steady, measured drama / romance, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.
Our read · Days of Wine and Roses (1962) (1962) reads as a heavy, steady, grounded drama · romance entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Days of Wine and Roses
What watching it is actually like.
“You want a raw, heartbreaking study of alcoholism tearing a couple apart.”
Skip it tonight — Skip if watching love drown in addiction will leave you depressed.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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