Daylight
- sombre
- kinetic
- extreme
- epic-stakes
Sombre, breathless, extreme action / adventure, grounded in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.
Our read · Daylight (1996) reads as a sombre, breathless, grounded action · adventure · thriller entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Daylight
What watching it is actually like.
“You want a big nineties tunnel-disaster thriller with Stallone leading survivors.”
Skip it tonight — You hate claustrophobia or cheesy disaster-movie logic under pressure.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself