Daisy (2006) poster
2006 · drama · romance · action

Daisy

Directed by Andrew Lau Wai-Keung1h 50m2006
ElsewhereIMDb7.47k
  • brisk
Movie DNA

Neutral, kinetic, measured drama / romance, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

A painter in Amsterdam receives flowers from a mysterious admirer, while a hitman and cop find themselves in conflict.

Our read · Daisy (2006) reads as a neutral, kinetic, grounded drama · romance · action entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
Where to watch
Not on streaming here right now.Check JustWatch Check Letterboxd
More info & search links
Fingerprint

The shape of Daisy

Tonight, this looks like

What watching it is actually like.

You want Amsterdam painter romance tangled with hitman and cop fates.

ends bittersweetit stays with youa slow buildgrips by minute 25attention 4/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violence

Skip it tonightSkip if slow Korean melodrama needs more energy than you have.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Your take
Rate it
star-clip-1-0star-clip-2-0star-clip-3-0star-clip-4-0star-clip-5-0
React
Discussion

Discussion

cmd enter to post

What does your Movie DNA look like?

Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.

Calibrate yourself