Colt 45 (2014) poster
2014 · drama · thriller · action · crime

Colt 45

Directed by Fabrice Du Welz1h 25m2014
ElsewhereIMDb5.82k
  • sombre
  • kinetic
  • intense
  • cold
Movie DNA

Sombre, breathless, extreme drama / thriller, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

Vincent Miles, a gunsmith and shooting instructor at the National Police, is an expert in combat shooting who stubbornly refuses to join a field brigade, a choice which his colleagues do not understand. When he meets Milo Cardena, a mysterious and skilled cop, his life changes in such way that he cannot ignore his true nature anymore.

Our read · Colt 45 (2014) reads as a sombre, breathless, grounded drama · thriller · action entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Colt 45

Tonight, this looks like

What watching it is actually like.

You want a lean French cop thriller centered on a reluctant guns expert pulled into the field.

ends unsettlingit leaves you shakengrabs you earlygrips by minute 5attention 3/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violence

Skip it tonightSkip if you dislike violent shootouts or French-language police stories.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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