Cocaine Cowboys 2 (2008) poster
2008 · action · documentary

Cocaine Cowboys 2

Directed by Billy Corben1h 37m2008
ElsewhereIMDb6.73k
  • sombre
  • brisk
  • intense
  • bleak
  • cold
Movie DNA

Sombre, kinetic, measured action / documentary, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

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Set in 1991 on the inner-city streets of Oakland, California, cocaine dealer Charles Cosby has his life is changed forever when he writes a fan letter to the "Cocaine Godmother" Griselda Blanco, who is serving time at a nearby federal prison. Six months later, Cosby is a multi-millionaire, Blanco's lover, and the head of her $40 million a year cocaine business.

Our read · Cocaine Cowboys 2 (2008) reads as a sombre, kinetic, grounded action · documentary entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Cocaine Cowboys 2

Tonight, this looks like

What watching it is actually like.

You want a true crime documentary on 90s Oakland cocaine empire and Griselda Blanco.

ends ambiguousit stays with yousteady all the waygrips by minute 5attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-updrug use

Skip it tonightSkip if real drug trade violence and moral ambiguity will depress you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

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Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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