Clear and Present Danger
- heavy
- kinetic
- extreme
- cold
- twisty
Heavy, breathless, extreme action / drama, grounded in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
Our read · Clear and Present Danger (1994) reads as a heavy, breathless, grounded action · drama · thriller entry — extreme in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Clear and Present Danger
What watching it is actually like.
“You want a meaty Jack Ryan geopolitical thriller with cartel stakes and rot.”
Skip it tonight — Two-plus hours of policy talk and covert ops feels exhausting tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself