Cleaner (2007) poster
2007 · crime · thriller · mystery

Cleaner

Directed by Renny Harlin1h 28m2007
ElsewhereIMDb6.147kRT17%Metacritic49
  • heavy
  • brisk
  • extreme
  • twisty
Movie DNA

Heavy, kinetic, extreme crime / thriller, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Single father and former cop Tom Cutler has an unusual occupation: he cleans up death scenes. But when he's called in to sterilize a wealthy suburban residence after a brutal shooting, Cutler is shocked to learn he may have unknowingly erased crucial evidence, entangling himself in a dirty criminal cover-up.

Our read · Cleaner (2007) reads as a heavy, kinetic, inventive crime · thriller · mystery entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Cleaner

Tonight, this looks like

What watching it is actually like.

You want a lean conspiracy thriller with Samuel L. Jackson unraveling a cover-up.

ends triumphantit stays with youa slow buildgrips by minute 12attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegoresuicide theme

Skip it tonightSkip if crime-scene violence or an off-screen suicide thread will bother you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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