Clash by Night
- sombre
- intense
- intimate
Sombre, steady, measured drama / noir, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.
Our read · Clash by Night (1952) reads as a sombre, steady, grounded drama · noir · melodrama entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in Latvia · via JustWatch
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The shape of Clash by Night
What watching it is actually like.
“You want Fritz Lang noir with Barbara Stanwyck and messy marriage regret.”
Skip it tonight — Fish-canning melodrama and fifties adultery angst bore you quickly.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself