Carrington V.C.
- brisk
Neutral, kinetic, measured drama / courtroom, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Major Charles Carrington (David Niven) is arrested for taking £125 from the base safe. He also faces two other charges that could finish his distinguished service career. He decides to act in his own defence at his court martial hearing, his argument being that he is owed a lot of money from the army for his various postings that have cost him out of his own pocket. To further complicate the proceedings, Carrington alleges he told his superior, the very disliked Colonel Henniker, that he was taking the money from the safe. A man's career, his marriage, and quite a few reputations all hang in the balance.
Our read · Carrington V.C. (1954) reads as a neutral, kinetic, grounded drama · courtroom · military entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Carrington V.C.
What watching it is actually like.
“You want a witty classic British courtroom drama with David Niven defending his honor.”
Skip it tonight — You want modern visuals, explosions, or anything faster than 1950s legal talk.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself