Capitalism: A Love Story (2009)
- sombre
Sombre, steady, measured documentary, grounded in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
Our read · Capitalism: A Love Story (2009) (2009) reads as a sombre, steady, grounded documentary entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Capitalism
What watching it is actually like.
“You want Michael Moore's angry, funny indictment of corporate America and the 2008 crash.”
Skip it tonight — Skip if polemical left-leaning docs or long economic arguments will frustrate you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself