Cairo 30
- sombre
Sombre, steady, measured drama / egyptian, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.
Our read · Cairo 30 (1966) reads as a sombre, steady, grounded drama · egyptian · arab entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Cairo 30
What watching it is actually like.
“You want a sharp Egyptian social drama about ambition, corruption and class in Cairo.”
Skip it tonight — Skip if black-and-white political stories from the 60s feel slow or distant.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself