Boudu
- warm
- brisk
- gentle
- intimate
Warm, kinetic, gentle comedy, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A modern remake of Renoir's classic film. Aix-en-Provence, a spring night. Christian Lespinglet, an over-indebted gallery owner, rescues a homeless man, Boudu, from the waters of a canal who was trying to drown himself. Heroic to his detriment, he brings him home, for a few hours only... The incongruous arrival of Boudu will act like a mad dog in the game of skittles that is Christian's life...
Our read · Boudu (2005) reads as a warm, kinetic, grounded comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Boudu
What watching it is actually like.
“You want a lively French comedy about a chaotic tramp wrecking polite bourgeois life.”
Skip it tonight — Skip if crude disruption or social satire feels more annoying than funny tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself