Bleeder
- heavy
- intense
- bleak
- cold
Heavy, steady, extreme crime / drama, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Two stories for the price of one: a video store clerk tries to get acquainted with a waitress; a man beats his pregnant wife, unaware that her brother is a violent racist.
Our read · Bleeder (1999) reads as a heavy, steady, inventive crime · drama entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Bleeder
What watching it is actually like.
“You want raw Copenhagen grime before Refn went neon—male rage spiraling quietly.”
Skip it tonight — You need hope, hate domestic violence, or cannot watch a suicide closing.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself